The Well at Narnia’s End

IMG_2130So. One of the questions supposedly asked of writers is ‘where do you get your ideas from?’ (Although I have to say, in my case no one asks. Either because it’s so obvious, or because they don’t want to catch the same disease which ravaged my imagination.) For popular writers it becomes something of a little business, with readers and academics hacking away at the text and trying to find where the various pieces have come from. It’s rather like the geologists who established the stones of Stonehenge came from South Wales.

For the writings of C S Lewis the mining has gone on for decades and there have been fascinating results: Michael Ward’s Planet Narnia came on a rich seam (we are probably going to have a lot of mining images today) when he made a clear identification between each of the planets in the Ptolemaic cosmology and the books of the Narnia series. He also found a very strong link with Dante’s Divine Comedy.

Now, we know that Lewis read a lot (I think someone, somewhere, possibly in A N Wilson’s biography, remarks that Lewis had read everything). I have often wondered about the influence of William Morris on Lewis and Tolkien, given that both went ‘northern’ (possibly Tolkien more than Lewis). Those wonderings cropped up again recently, while I was re-reading Morris’ The Well and the World’s End (a book we know Lewis admired). This time I stumbled on a couple of strata that it seems Lewis had mined (told you) for the Narnia series.

The first was a stone table on which the crone who enthralled (in the ‘making a thrall – slave – of’ sense) the future Lady of Abundance sacrificed the white goat. The sacrifice was not exactly substitutionary, but it did fulfil an undefined need for blood. Who else to we know who was sacrificed on a stone table?

The second was the disguising of Ralph, Ursula, the Sage of Swevenham and their horses against the pursuit of the Lord of Utterbol’s nephew, so the pursuers saw only rocks and skeletons. Now, where in The Lion the Witch and the Wardrobe are two people disguised as objects? (Clue: one of them is a witch, one a dwarf.)

(I also have a vague recollection of a Tolkien link, but like many night thoughts it was gone with the morning.)

I don’t think either of those are new links: you can bet there will have been plenty of PhDs that discuss them. Neither, for me, do they diminish Lewis’ text. (I am well aware of Tolkien’s rebuke to those studying Beowulf: But from the top of that tower the man had been able to look out upon the sea.) Rather, they root it back into something older, show more of its trajectory; perhaps make it appear less the product of the mythological bran-tub than it sometimes does.

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